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1938 introductions

Summary Of: Bell Gothic

Bell Gothic was superseded by... Bell Gothic was designed to be highly legible at small sizes... s face Bell Gothic is distinct for the cross bars on the uppercase... Bell Gothic remained in uninterrupted use for AT... the Mergenthaler Linotype foundry licensed Bell Gothic for general use... Beginning in the early 1990s Bell Gothic became popular and associated with avant garde experimentation with type at places like the...

Encyclodia Page On: Bell Gothic

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Bell Gothic | Typeface | Category | Sans-serif | Designer(s) | Chauncey H. Griffith | Foundry | Mergenthaler Linotype | | | sans-serif | typeface | Chauncey H. Griffith | Mergenthaler Linotype Company | AT&T | telephone directories | Bell | typefounder | punchcutter | Matthew Carter | Bell Centennial | ink trap | Cranbrook Academy of Art | Design Academy Eindhoven | RISD | Bruce Mau | Irma Boom | Semiotext(e) | MIT Press | Dia Art Foundation | Lorraine Wild | ISBN 0-8478-1252-9 | ISBN 0-300-10073-6 | ISBN 1-57912-023-7 | ISBN 0-300-11151-7 | Categories | Linotype typefaces | Grotesque sans-serif typefaces | Corporate typefaces | 1938 introductions |
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Bell Gothic".